So much deep
Ends up
On the red
Wheel bar
Ow!
Glaze Ed
With rain
What?
Er...
B side:
The white chick
Ends
Friday, December 9, 2011
Friday, May 7, 2010
Push Birth Seizure-edited
Before the seizure,
he sees a light around people
the way I did
when I leaned forward
to push him away from my body
twenty-two years ago. This time
it is he who leans forward,
remembering somewhere
deep in the impenetrable
darkness I can’t enter,
that he could break my back
with his strength, the hard weight
of his body, if he were to fall
fully onto me.
So we dance a kind of
birthing together:
push and lean, push and lean
until we are bound together,
this time without benefit
of life-sustaining cord. We fall
through the slow, patient air
that seems merciful, as though
it is a parable of love,
only with cold
instructions first.
I am a quick study: I cup my hands
under his head as
he bangs it against the flagstone
floor. My hands are bruised,
pummeled, but he would crack
his head otherwise so I don’t feel
any pain as I push-pull,
and wish I had strength
enough to slit open heaven’s
belly to bring him breath.
I don’t cry because I never
do with pain. No one can convince me
that pain and hell go together.
There is no pain in hell,
only measureless time
that you must bargain for.
Here, now, when his skin
is no longer blue,
and his eyes are lupine
silk, I pull him up and I hold him
and then there is heaven:
the beloved in my arms.
Now the air sings its
parables again and I remember,
there was never pain, never hell
only pearls that fell and were lost,
then found and saved.
he sees a light around people
the way I did
when I leaned forward
to push him away from my body
twenty-two years ago. This time
it is he who leans forward,
remembering somewhere
deep in the impenetrable
darkness I can’t enter,
that he could break my back
with his strength, the hard weight
of his body, if he were to fall
fully onto me.
So we dance a kind of
birthing together:
push and lean, push and lean
until we are bound together,
this time without benefit
of life-sustaining cord. We fall
through the slow, patient air
that seems merciful, as though
it is a parable of love,
only with cold
instructions first.
I am a quick study: I cup my hands
under his head as
he bangs it against the flagstone
floor. My hands are bruised,
pummeled, but he would crack
his head otherwise so I don’t feel
any pain as I push-pull,
and wish I had strength
enough to slit open heaven’s
belly to bring him breath.
I don’t cry because I never
do with pain. No one can convince me
that pain and hell go together.
There is no pain in hell,
only measureless time
that you must bargain for.
Here, now, when his skin
is no longer blue,
and his eyes are lupine
silk, I pull him up and I hold him
and then there is heaven:
the beloved in my arms.
Now the air sings its
parables again and I remember,
there was never pain, never hell
only pearls that fell and were lost,
then found and saved.
Thursday, May 6, 2010
SHIVERBUSH JONES
This life teases out of you an incongruous song
made of stair steps and questions and flipping of birds.
But the world sings you back to you in thousands of tongues.
The throwing of bowling balls and the spanking of gongs,
the tripping of triplets and the ripping of shirts--
they’re all just a part of your incomplete song.
Vibrations recycle before very long.
And even the thud of your feet in the dirt
the world will sing back to you in thousands of tongues.
The air that you squeeze out of overused lungs.
The cries and the barks and the purrs and the words.
It’s all just a part of your world-wooing song.
We are never alone so much as among.
Each gesture we make this planet records.
And this world sings you back to you in thousands of tongues.
Love itself is fine, as are lust and longing.
And there will come a happy answer from some exotic bird.
When you step outside and engender your songs,
the world sings you back to you in thousands of tongues.
JD Frey — April 15, 2010
JDIEGOFREY@GMAIL.COM
made of stair steps and questions and flipping of birds.
But the world sings you back to you in thousands of tongues.
The throwing of bowling balls and the spanking of gongs,
the tripping of triplets and the ripping of shirts--
they’re all just a part of your incomplete song.
Vibrations recycle before very long.
And even the thud of your feet in the dirt
the world will sing back to you in thousands of tongues.
The air that you squeeze out of overused lungs.
The cries and the barks and the purrs and the words.
It’s all just a part of your world-wooing song.
We are never alone so much as among.
Each gesture we make this planet records.
And this world sings you back to you in thousands of tongues.
Love itself is fine, as are lust and longing.
And there will come a happy answer from some exotic bird.
When you step outside and engender your songs,
the world sings you back to you in thousands of tongues.
JD Frey — April 15, 2010
JDIEGOFREY@GMAIL.COM
Tuesday, April 27, 2010
MY BLIND DATE WITH THE WOLFWOMAN
This room this glass this bed this wine,
this song of lives lived well and rested,
that look that passed between us when
I discovered you were hairy-chested.
The air was thick with lupine lust
a wave that quickly crested.
Dense fur sprang from your hands and bust
and from the snout that manifested.
Full moon through dusty keyhole white
across rare steaks we had requested
and how you fanged them with delight
while I stood back as you'd suggested.
I've thought of you only since that sharp night in bed.
Your lovemaking nip left me single-breasted.
A lunar month later, this scar throbs on my chest
and the thrill that it gives me still fills me with dread
now that the taste of my flesh has been tested.
JD Frey
this song of lives lived well and rested,
that look that passed between us when
I discovered you were hairy-chested.
The air was thick with lupine lust
a wave that quickly crested.
Dense fur sprang from your hands and bust
and from the snout that manifested.
Full moon through dusty keyhole white
across rare steaks we had requested
and how you fanged them with delight
while I stood back as you'd suggested.
I've thought of you only since that sharp night in bed.
Your lovemaking nip left me single-breasted.
A lunar month later, this scar throbs on my chest
and the thrill that it gives me still fills me with dread
now that the taste of my flesh has been tested.
JD Frey
Thursday, March 11, 2010
Separate
From my window, Chicago is a clove of garlic
On an eggplant lake too deep to ford.
You chopped peppers, carrots,
Leaves Romaine, tomatoes on a cutting board.
You asked me to separate a yolk from its white
And I knew I could do it
Because keeping things separate
Gives me no trouble.
So I proved it to you,
Standing at the sink,
Sliding the sun from one half of the sky
To the other
While thin and ropy clouds
Oozed to earth.
Here, I hold it.
I have isolated this burning thing,
This bird‐to‐be,
What now, what will we
Do with it?
From a cabinet,
You pulled vinegar and olive oil
And lemon juice and honey,
And you told me to make dressing.
So I took a fork and popped the tender bird;
I whipped it into froth, and, further,
Poured it on the salad.
Let us share this humble meal –
We, fierce advocates of health.
Let us take these simple steps
To responsibly dine sensibly
To align ourselves so perfectly with earth,
Her crunchy bounty.
Let us raise a fork, a lettuce leaf,
Let us both agree on everything,
Specifically, that yellow yolk
That gives our meal its extra texture:
It really binds it all together.
Once it’s in, we can’t extract it
Can’t take back; we can’t unhatch it.
If asked again,
I might have rather kept it separate.
I didn’t say but might have said
Your healthy salad was a bore
My body craved but mind abhorred
Because I’d rather you just touch me
But we’re talking about salad, now,
We’re talking about making healthy choices
Which is separate from the voice in my head
Not yours but nevertheless course and rough
Saying “you’re not what he wants;
You’re not pretty enough.”
See? A clip, a snip, some rhetoric
And I’m a parsnip on your board
Chopped up in mixed metaphor.
Not so secretly,
Nor, in the end, separately,
I will head home hungry.
I, who am so fond of flying,
So fond of spying on the earth from my window in the sky,
Will shell Midwestern cities like peas –
Davenport, Moline, and Muscatine.
I’ll fight my way through this final leg,
Mourning my bird,
Eating your egg,
And Omaha and Council Bluffs
And Kearney where they searched my car
Will race like oil on a tongue,
Like dressing from a bottle poured,
Until at last, at length, I’ll land
Just two hours from Cheyenne
And two thousand miles from your cutting board.
We’ll retreat into our private bubbles
Because keeping things separate
Gives us no trouble.
On an eggplant lake too deep to ford.
You chopped peppers, carrots,
Leaves Romaine, tomatoes on a cutting board.
You asked me to separate a yolk from its white
And I knew I could do it
Because keeping things separate
Gives me no trouble.
So I proved it to you,
Standing at the sink,
Sliding the sun from one half of the sky
To the other
While thin and ropy clouds
Oozed to earth.
Here, I hold it.
I have isolated this burning thing,
This bird‐to‐be,
What now, what will we
Do with it?
From a cabinet,
You pulled vinegar and olive oil
And lemon juice and honey,
And you told me to make dressing.
So I took a fork and popped the tender bird;
I whipped it into froth, and, further,
Poured it on the salad.
Let us share this humble meal –
We, fierce advocates of health.
Let us take these simple steps
To responsibly dine sensibly
To align ourselves so perfectly with earth,
Her crunchy bounty.
Let us raise a fork, a lettuce leaf,
Let us both agree on everything,
Specifically, that yellow yolk
That gives our meal its extra texture:
It really binds it all together.
Once it’s in, we can’t extract it
Can’t take back; we can’t unhatch it.
If asked again,
I might have rather kept it separate.
I didn’t say but might have said
Your healthy salad was a bore
My body craved but mind abhorred
Because I’d rather you just touch me
But we’re talking about salad, now,
We’re talking about making healthy choices
Which is separate from the voice in my head
Not yours but nevertheless course and rough
Saying “you’re not what he wants;
You’re not pretty enough.”
See? A clip, a snip, some rhetoric
And I’m a parsnip on your board
Chopped up in mixed metaphor.
Not so secretly,
Nor, in the end, separately,
I will head home hungry.
I, who am so fond of flying,
So fond of spying on the earth from my window in the sky,
Will shell Midwestern cities like peas –
Davenport, Moline, and Muscatine.
I’ll fight my way through this final leg,
Mourning my bird,
Eating your egg,
And Omaha and Council Bluffs
And Kearney where they searched my car
Will race like oil on a tongue,
Like dressing from a bottle poured,
Until at last, at length, I’ll land
Just two hours from Cheyenne
And two thousand miles from your cutting board.
We’ll retreat into our private bubbles
Because keeping things separate
Gives us no trouble.
Wednesday, September 9, 2009
VOX POPULOTOMATUS
VOX POPULOTOMATUS
When I think of what this town has become
it inevitably tears me a new one.
What used to be forests of dogwood and plum—
when I think about what this town has become—
is now painted squares that spell e unibus plurum.
(Makes me wish for a taco-sized aspirin to chew on.)
When I think about what this town has become,
it inevitably tears me a new one.
JD Frey – September 9, 2009
When I think of what this town has become
it inevitably tears me a new one.
What used to be forests of dogwood and plum—
when I think about what this town has become—
is now painted squares that spell e unibus plurum.
(Makes me wish for a taco-sized aspirin to chew on.)
When I think about what this town has become,
it inevitably tears me a new one.
JD Frey – September 9, 2009
Tuesday, June 23, 2009
Hikes, Hailstorms
Almost the end of June and we (me, my husband & son, Aaron) watched a wicked lightning storm last night from our front porch. Every piece of sky was changing from twilight shades of white to impenetrable black, minute by minute, and simultaneously ripped by jagged yellow electric needle-thin lines. We huddled together in awe and were startled by silly things like a poor, lost poodle who scurried up our stairs and trembled next to my ankles. Her white fox-like face emerged from the torrents of rain like a strange animal spirit and we scooped her up and kept her warm and dry in the house until the storm had passed. Aaron gathered up pieces of the inevitable hailstones like he was a boy again and placed them in the freezer side-by-side and there they sat like stoic, crooked marbles. I mourned the fact that the hail was probably decimating the tender columbines and pink wild roses, but I can't be so greedy. I have had a long spring season of them and when I searched for them today, they were still there, as sturdy as ever. In fact, poppies had sprung up around them. It was as if the chilly hail and heavy rain had unearthed them all from lazy sleep.
On Sunday, we hiked up in the park to Cub Lake. A swift five miles. Color everywhere and delightful showings like fat coyotes and marmots, mallards and one cornflower-blue bird perched on a post. Golden banner dominated the wildflowers until of course we reached the lake and then the long, wavy stems of the giant yellow pond lilies hypnotized us, the lake so clear and a dreamy green. The lilies floated independent from their pads, light spirits all.
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